European Scientific e-Journal
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Arts: All Articles

Darie, B. (2021). The Art of Acting: intercrossing borders between science and art. Scientific view on the modern problems of cultural heritage and arts in the context of social development. Proceedings of the International Scientific Conference. Klironomy, 01 (01), __-__. Hlučín-Bobrovníky: “Anisiia Tomanek” OSVČ.

DOI: 10.47451/art2021-04-004 -------- EOI: 10.11244/art2021-04-004 -------- Author's Certificate -------- Conference Certificate

Abstract:

The article aims to present professor’s Ion Cojar method regarding the methodology of approaching the actor`s art from the point of view of the teaches who form future actors that are well trained, reaching both theoretical and practical dimensions. The purpose of the paper is to outline the fact that the art of acting is not something done by instinct or guided by emotions and spontaneous reactions, but, behind the scenes, lies a well-developed method, tested across many generations of students that combines psychology, aesthetics, critical thinking and acting practices. Blending old and new methods, creating a link between what was tested and what can be used in the future, the techniques used in the process of training the student from The National University of Theatre and Film “I.L. Caragiale” proved to be relevant in creating professionals that can operate in the artistic and scientific fields. In today`s context, there has to be a shift of paradigm in the way people see the art of theatre, that can no longer be treated only from the aesthetic point of view. Acting methods can be used in the educational process and in raising the well-being of future generation by combining them with work models that make appeal to scientific data, offering to the future actor a larger domain to explore and develop.

Keywords:

acting, psychology, self, scientific knowledge, methods, theatre.

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Sida, C., Moldovan, S.-S. (2021). Cyclicity in creation: from abstraction to figurative, from figurative to abstract. Scientific view on the modern problems of cultural heritage and arts in the context of social development. Proceedings of the International Scientific Conference. Klironomy, 01 (01), __-__. Hlučín-Bobrovníky: “Anisiia Tomanek” OSVČ.

DOI: 10.47451/art2021-04-003

EOI: 10.11244/art2021-04-003

Conference Certificate 1

Conference Certificate 2

Abstract:

The paramount focus of this article shall be on painting, mainly that of contemporary artists, but apprehending back to their modern predecessors without which some of the aforementioned contemporary painting figurative/abstract would have been inconceivable. The research of the identification of some directions in painting, both in the creative process and in the educational one, is a difficult objective to achieve. The hierarchy and classification of some tendencies, as plastic formulas, represents a challenge only if we consider that any artist crosses over, during his artistic career, several stages of creation. At the same time, the present research aims to bring to attention one of the most significant examples of relating the topicality of artistic creation, with amplifying and renewing the horizon of artistic higher education. These aspects are always, or should be integrated in the teaching of each artist who teaches in art higher education institutions. The authors’ cases are important because they can reveal different aspects of the creation process that on one hand can start with abstraction and find the figurative in it, and on the other hand it can have its roots in reality, a reality that is reduced in simple abstract forms by the process of abstraction. Both cases have interdisciplinary aspects from psychology, philosophy and are related with other aspects of human activity such as memory, imagination, abstraction.

Keywords:

painting, avantgarde, contemporary painting, ready-made, assemblage, object painting, art theory, dadaism, neo dadaism.

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Cretiu, A.-E. (2021). Politeness and the Art Criticism Discourse. Scientific view on the modern problems of cultural heritage and arts in the context of social development. Proceedings of the International Scientific Conference. Klironomy, 01 (01), __-__. Hlučín-Bobrovníky: “Anisiia Tomanek” OSVČ.

DOI: 10.47451/art2021-04-002 -------- EOI: 10.11244/art2021-04-002 -------- Author's Certificate -------- Conference Certificate

Abstract:

Art criticism usually manifests itself in such written genre-texts as art reviews. When producing such a text, the critic finds himself/herself in a position of the interface between the general public and the artist, and, consequently, between the general public and the work of art. While, on the one hand, the critic has to remain true to his/her role as a guide to mediating understanding and appreciation of the works of art by the audiences, meanwhile bringing efficient/effective suggestions for the artists, on the other, the critic also needs to be a master of good writing in the use of the most effective discourse strategies. These include the application of the most relevant politeness principles for the sake of perpetuating good communication throughout the art world. The present study aims to discern the mechanisms of utilizing those principles in art criticism, in direct relationship to how works of art are (negatively) evaluated by the critics, who may balance between remaining polite and becoming utterly/straightly impolite, for the sake of truth.

Keywords:

art, art criticism, the pragmatics of politeness, discourse strategies.

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Soreanu, C. (2021). Artistic strategies in Oliviero Toscani’s advertising. Scientific view on the modern problems of cultural heritage and arts in the context of social development. Proceedings of the International Scientific Conference. Klironomy, 01 (01), __-__. Hlučín-Bobrovníky: “Anisiia Tomanek” OSVČ.

DOI: 10.47451/art2021-04-001 -------- EOI: 10.11244/art2021-04-001 -------- Author's Certificate -------- Conference Certificate

Abstract:

In this article, we will discuss how contemporary advertising becomes the territory where various artistic expressions contribute in a complementary way to the constitution of the meaning of a work. The case study will approach the activity of Oliviero Toscani, and his two decades of collaboration with Benetton materialized in memorable advertising campaigns that rewrote the visual history of contemporary advertising. We will analyze how photographic media provides advertising with one of the most consistent expressive resources, based on the realism of the image, the endless possibilities in managing the visual composition, the premises of reproducibility and, last but not least, the appetite of an audience eager for the technological image. Also, we will try to discuss the creative premises and mechanisms that characterize Toscani’s creation, the reading conditions of his advertising works, as well as how his creative strategies combine the expressiveness of the technological precision of press photography, and the appropriation strategies specific to artistic postmodernity.

Keywords:

advertising, Benetton, media, Oliviero Toscani, photography, postmodern.

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Buychik, A.; Tomanek, A. The influence of postmodernism on the evolution of art in the 21st century // European Scientific e-Journal, December 16, 2020.

ESeJ: art2020-12-005 ---------- DOI: 10.47451/art2020-12-005 ---------- Certificate ---------- Certificate

Abstract:

The article provides a comparative analysis of the influence of postmodernism ideas and philosophy on the transformation of 21st century art from the point of view of the formation of positive and negative trends in the development of modern art.
Článek poskytuje srovnávací analýzu vlivu postmodernismu myšlenky a filozofie na transformaci umění 21 století z hlediska tvorby pozitivní a negativní trendy ve vývoji moderního umění.

Keywords:

postmodernism, art, transformation, evolution, Nietzsche, Groys, Heidegger, Krauss, Benhabib; postmodernismus, umění, transformace, evoluce.

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Lebedev, S.V. The problem of ethnic identity in the modern world: how the “national spirit” manifests itself in folk art // European Scientific e-Journal, December 16, 2020.

ESeJ: art2020-12-004 ---------- DOI: 10.47451/art2020-12-004 ---------- Certificate

Abstract:

The article is devoted to the problem of preserving Russian ethnic identity. In the era of globalization, the identity of many countries is experiencing a crisis. A manifestation of national identity is the traditional folk art of an ethnic group. It is in him that what is called the spirit of the people is manifested. In modern conditions in Russia, it is not only necessary to preserve the Russian culture, but also to raise it to a new height. To achieve this, it is necessary to change the curricula of schools and universities, which can help the experience of teaching a course on historical ethnology of Russia to the students of the Higher School of Folk Arts.
Статья посвящена проблеме сохранения русской этнической идентичности. В эпоху глобализации идентичность многих стран переживает кризис. Проявлением национальной идентичности является опирающееся на традиции народное искусство этноса. Именно в нем проявляется то, что называется духом народа. В современных условиях в России не только необходимо сохранить русскую культуру, но и поднять на новую высоту. Что бы этого добиться, необходимы изменения учебных программ школ и вузов, в чём может помочь опыт преподавания курса, посвященного исторической этнологии России, студентам ВШНИ.

Keywords:

identity, globalization, ethnos, folk art; идентичность, глобализация, этнос, народное искусство.

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Voloshina, L.A. Sense of art (the experience of perceiving a work of art) (in Russian) // European Scientific e-Journal, December 15, 2020.
Волошина, Л.А. Чувство искусства (опыт восприятия произведения искусства) // European Scientific e-Journal, December 15, 2020.

ESeJ: art2020-12-003 ---------- DOI: 10.47451/art2020-12-003 ---------- Certificate

Abstract:

The article is devoted to a special human ability, which is called by the author “the sense of art”. This feeling is presented as the ability to perceive art, as a way of aesthetic cognition. It shows how art (in this case - painting) affects the viewer, his feelings. The connection of the sense of art with the individuality of the person, with the traditional folk culture is shown.
Статья посвящена особой способности человека, которая названа автором «чувством искусства». Данное чувство представлено как способность восприятия произведений искусства, как способ познания действительности эстетическим путём. Подробно представлено, какие составляющие искусства (в данном случае – живописи) воздействуют на зрителя, попадая в сферу его чувственности. Показана связь чувства искусства с индивидуальностью человека, с традиционной народной культурой.

Keywords:

sense of art, individuality, artistic image, perception, tradition, sensibility, aesthetic cognition; чувство искусства, индивидуальность, художественный образ, восприятие, традиция, чувственность, эстетическое познание

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Naydenova, M. Glass art objects – between fine and applied art // European Scientific e-Journal, December 10, 2020.

ESeJ: art2020-12-002 ---------- DOI: 10.47451/art2020-12-002 ---------- Certificate

Abstract:

The article describes the interrelationships that emerged between art, crafts, technology and design, in the period from the second half of the 19th century to the present day. Attention is paid to the classification of a work and the delineation of the category ‘Object’.

Статията описва взаимовръзките, възникнали между изкуство, занаяти, технологии и дизайн в периода от втората половина на 19-ти век до наши дни. Обръща се внимание на класификацията на дадено произведение и обособяването на категорията „Обект“.

Keywords:

Fine art, applied art, art objects, glass art, contemporary art, изящно изкуство, приложно изкуство, художествени обекти, художествено стъкло, съвременно изкуство.

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Adina, J. Contemporary ceramics art and its transgressive side // European Scientific e-Journal, December 09, 2020.

ESeJ: art2020-12-001 ---------- DOI: 10.47451/art2020-12-001 ---------- Certificate

Abstract:

This article wants to propose a discussion on the ranking of ceramics as art, a few aspects in regards to Ceramic Art’s inclusion in Contemporary Art context. The author is calling into question the shallow division between Decorative and Major Arts, a century after the distinction disappeared. Respectively, the art object made with ceramic material, in the general context of Contemporary Art and a few ways of manifestations of this art that leads toward permanent transgressive dimensions of artistic ceramic.

Acest articol îşi propune o discuție despre statutul ceramicii ca manifestare artistică, câteva aspecte ce privesc incluziunea artei ceramice în contextul artei contemporane. Vom pune sub semnul întrebării modul superficial de a separa încă artele – Arte Decorative şi Arte Majore, după un secol de la renunțarea acestor granițe. Respectiv, obiectul de artă realizat în material ceramic într-un context general al artei contemporane şi câteva moduri de manifestare ale acesteia ce conduc într-o permanentă dimensiune transgresivă ale artei ceramice.

Keywords:

Ceramics, art, transgression, contemporary, major, decorative, ceramică, artă, transgresiv, contemporan, majoră, decorativă.

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Popa, I.A. Similarities in iconographic art between rural churches from Transylvania in the 17th century and Caesarea of Cappadocia // European Scientific e-Journal, November 27, 2020.

ESeJ: art2020-11-005 ---------- DOI: 10.47451/art2020-11-005 ---------- Certificate

Abstract:

The idea of the speech, goes round the importance of byzantine art inside Transylvanian orthodox culture, in the 17th century. The Göreme monastic Complex of Caesarea of Cappadocia has a considerable list of churches with relevant importance in Byzantine iconography. The popular character of this type of art developed on the walls of these architectural jewels manifests itself in the left-handed, but expressive and with such great spontaneity drawing: also with predilection for narration that lends many elements from the illustration of the Apocryphes, which were born from people’s inclination to very detailed stories. This byzantine style we have had for centuries and which is tight to our Christian roots, was cultivated in Wallachia and Moldova and Transylvania in the 14th and 15th centuries and the post-byzantine style in Wallachia in the 15th and 16th centuries. There are similarities between churches raised in the 17th century in Transylvania and the ones from Caesarea of Cappadocia. We refer mainly to the iconographic painting of the hunedorian churches.

Lucrarea face referire la importanţa artei bizantine în cultura ortodoxă a secolului XVII în Transilvania. Complexul monahal de la Goreme deţine o listă considerabilă de biserici de o mare relevanţă pentru iconografia bizantină. Stilul popular, naiv dar deosebit de expresiv, spontaneitatea liniei şi aplecarea spre narațiune, s au născut din dorința oamenilor de a spune povestea cât mai în detaliu. Stilul bizantin e strâns legat de rădăcinile noastre creştine şi a apărut în Ţara Românească şi Moldova în secolele 14 şi 15 iar stilul post-bizantin în Țara Românească în sec 15 si 16. Sunt similitudini între bisericile de sec 17 în Transilvania şi cele din Caesarea Cappadociei. Ne referim în principal la pictura din bisericile hunedorene.

Keywords:

line, colour, church, byzantine, Transylvania, linie culoare biserica, bizantin.

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Boldaşu, R. Theatre semiotics in the 21st century // European Scientific e-Journal, November 26, 2020.

ESeJ: art2020-11-004 ---------- DOI: 10.47451/art2020-11-004 ---------- Certificate

Abstract:

The role of the actor has been in continuous change across time. Therefore, the teaching paradigm needs to be transformed in order to meet the 21st century needs and interests. Theatre is not only an aesthetic tool in contemporary society but also an instrument in transmitting social, political and cultural information. The body of the actor contains within itself a system of verbal and non-verbal communication mechanisms that one must master in order to create dialogue across the globe.

Rolul actorului s-a schimbat de-a lungul timpului. Astfel paradigma de predare trebuie de asemenea să se transforme pentru a întâlni nevoile și interesele propuse de secolul al XXI-lea. În societatea contemporană, teatrul nu este doar un instrument estetic ci un vector în transmiterea mesajelor sociale, politice și culturale. În corpul actorului sunt conținute mecanisme de comunicare atât verbale cât și nonverbale pe care acesta trebuie să le stăpânească cu măiestrie pentru a crea un dialog global.

Keywords:

theatre, art, acting communication, embodiment, physical, training, gesture, language, system, culture, expressivity, human dynamics, teatru, artă, actorie, comunicare, corporalizare, fizic, antrenament, gest, limbaj, sistem, cultură, expresivitate, dinamica umană.

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Първанова, А.И. Творчески център на калоферската дантела: мотивация и развитие // European Scientific e-Journal, November 26, 2020.

ESeJ: art2020-11-003 ---------- DOI: 10.47451/art2020-11-003 ---------- Certificate

Abstract:

On August 15, 2018, Kalofer opened the doors of the Creative Center of Kalofer Lace. This event turned out to be a long-awaited community of dantelers in Bulgaria and, in a short time, managed to become an attractive center for those, who are engaged in shuttle lace.

На 15 август 2018 г. в Калофер отваря врати Творчески център на калоферската дантела. Това събитие се оказва дълго чакано от общността на дантелиерите в България и за кратко време успява да се превърне в притегателен център за занимаващите се със совалкова дантела.

Keywords:

creative center, Kalofer lace, Kalofer, shuttle lace, творчески център на калоферската дантела, калоферска дантела, Калофер, совалкова дантела

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Luneva, I. Creating a museum space for the preservation of contemporary art of fashion on the example of Italy // European Scientific e-Journal, November 26, 2020.

ESeJ: art2020-11-002 ---------- DOI: 10.47451/art2020-11-002 ---------- Certificate

Abstract:

This article is dedicated to fashionable exhibitions and museum-type corporate art institutions, which are one of the characteristic features of the museum system and one of the most successful development strategies. These can be items of decorative and applied art that reject the usual commercial space and want to occupy a place not just in a museum, but definitely exhibit next to artworks. To understand this problem and the stages of the process of establishing and developing a fashion museum, you need to analyse the experience of the world’s leading museums located in the main fashion centres.

Keywords:

fashion museum, contemporary Italian fashion, museology, costume, foreign experience, modern art, fashion archives, cultural heritage, ICOM.

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Pisancheva, B. Models in Lace // European Scientific e-Journal, November 15, 2020.

ESeJ: art2020-11-001 ---------- DOI: 10.47451/art2020-11-001 ---------- Certificate

Abstract:

The present article interprets the making bobbin lace through the Theory of Models. Selected details from the technological process of creating the different types and styles of the final products illustrate the idea of following a model while transferring meaning from one field of art into another.

Keywords:

cultural technologies, model theory, social practices, bobbin lace, safeguarding tradition, fashion, contemporary interpretations.

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Zhang Biyun. Chinese Culture in Traditional Clothing-By Taking Cheongsam for Example // European Scientific e-Journal, October 30, 2020.

ESeJ: art2020-10-001 ---------- DOI: 10.47451/art2020-10-001 ---------- Certificate

Abstract:

Every country has its own unique culture. For China, a country with a long history and a separate cultural system, the traditional clothing can best reflect its cultural characteristics of different periods. For example, cheongsam, as a product of the most turbulent period in Chinese history, has established its unshakable status with its unique beauty, and has become a symbol of unique oriental charm. In this paper, we will interpret the unique Chinese cultural deposits contained in the development history of cheongsam.

Keywords:

cheongsam, style, traditional culture.

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Zhang Biyun. Art on Chinese Xuan Paper // European Scientific e-Journal, September 28, 2020.

ESeJ: art2020-09-001 ---------- DOI: 10.47451/art2020-09-001 ---------- Certificate

Abstract:

The author of the article reveals the features of ink effect, the unique painting pattern, the poetry, calligraphy, painting and seal cutting, the mounting style, the composition and the technique and style of the painter of beauty of Chinese paintings through making contact with Chinese Xuan paper and ink because Chinese ink painting, boasting a history of more than a thousand years, represents the wisdom and talents of Chinese people.

Keywords:

Chinese paintings, Chinese Xuan paper, Chinese Xuan ink, calligraphy, seal cutting, Chinese ink painting.

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Lebedev, S.V. Opportunities for the development of Russian folk art in the 21st century // European Scientific e-Journal, August 31, 2020.

Lebedev, S.V. Opportunities for the development of Russian folk art in the 21st century // Current issues of cultural heritage in 2020 / Collection of Scientific Articles. Issue 01 (01). European Scientific e-Journal. – Hlučín- Bobrovníky: “Anisiia Tomanek” OSVČ, 2020. – 291 p. – P. 5-23. – ISBN 978-80-907957-0-9

ESeJ: art2020-08-003 ---------- DOI: 10.47451/art2020-08-003 ---------- Certificate

Abstract:

Folk art including Russian folk art existed and developed throughout the 20th century and continues to exist in the 21st century. The reason for this is the peculiarity of the existence of folk art, based on the traditions of the ethnic group.

Keywords:

folk art, tradition, folk, traditional art, handicrafts, art industry, Higher School of Folk Arts.

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Luneva, I. Problems of style in modern fashion art on the example of Ianis Chamalidy’s creativity // European Scientific e-Journal, August 25, 2020.

Luneva, I. Problems of style in modern fashion art on the example of Ianis Chamalidy’s creativity // Current issues of cultural heritage in 2020 / Collection of Scientific Articles. Issue 01 (01). European Scientific e-Journal. – Hlučín- Bobrovníky: “Anisiia Tomanek” OSVČ, 2020. – 291 p. – P. 47-66. – ISBN 978-80-907957-0-9

ESeJ: art2020-08-002 ---------- DOI: 10.47451/art2020-08-002 ---------- Certificate

Abstract:

The article is devoted to the problems of modern Russian fashion on the example of the creative work of St. Petersburg designer Ianis Chamalidi. Who is now a prominent participant in the modern art process in the field of fashion? Many magazine articles have been written about the work of this famous St. Petersburg designer. Ianis Chamalidi is actively involved in creative projects. He cooperates with the State Hermitage Museum, where many of his works are kept in the collection.

Keywords:

Russian fashion, fashion designers, Petersburg designers, fashion theory, Ianis Chamalidi, fashion house, collection, style, creativity, modern fashion.

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Nachev, D.A. Multi-faceted creativity of artists of one city // European Scientific e-Journal, August 23, 2020.

Nachev, D.A. Multi-faceted creativity of artists of one city // Current issues of cultural heritage in 2020 / Collection of Scientific Articles. Issue 01 (01). European Scientific e-Journal. – Hlučín- Bobrovníky: “Anisiia Tomanek” OSVČ, 2020. – 291 p. – P. 24-46. – ISBN 978-80-907957-0-9

ESeJ: art2020-08-001 ---------- DOI: 10.47451/art2020-08-001 ---------- Certificate

Abstract:

The article considers the evolution and development of the genres of still life and landscape, their interpenetration in the works of artists. It also considers the diversity of creativity, different artists united by one city. Special attention is paid to the work of Leningrad artists.

Keywords:

art, painting, painter, still life, landscape, artists of the Leningrad school of painting, A. Yakovlev, Y. Krestovsky, E. Moiseenko, O. Khorosheva, A. Lytkin.

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